I just read an editorial discussing the big winners and surprise losers at the Oscars. The biggest surprise apparently was that Avatar didn't win more than it did in spite of how profitable it's been for the studio and how innovative it was technically.
I'm thinking that there's some similarity in the dance world. It's been a while since I've been to a congress but I do remember dance groups, performing couples and solos who were very innovative in what they did yet they lost to more traditional routines from by other entrants.
Strange, isn't it?
But I saw something else recently that relates to this phenomenon.
It was a video about leadership and it's point was that it's not the 'leader' (or the innovator) that starts a 'movement'. It is instead the first follower.
In this video, which didn't have any sound, it was a scene of a buch of people, apparetnly at some kind of park and obviously listening to some music somewhere (off camera). Then it focused on one lone, shirtless, goofy guy dancing to the music and looking very silly.
This continues for about 20 seconds or so. You can tell the surrounding crowd, although themselves pretty mellow about it, were somewhat amused but still thought the guy was nuts.
Then, from 'stage left', another guy comes up and starts dancing with him. You know the style.....totally silly and zero actual skill involved. Just two guys tripping the afternoon away. Then eventually a third person joins in. Then a whole group of people join in.
And that accelerates until eventually darn near whole park is dancing with this guy and it's no longer about 'that guy' but rather 'that movement'.
The narrator (of the video I saw) describes how the pivitol moment in this occasion was when that second person joined in. It wasn't the first guy. The first guy was a 'nut job' until somebody else, the 'first follower', joined in. That first follower changed the dynamic of the whole scene.
I think dance can be like that. It's just my opinion of course but I think Jorge Elizando could be an example. When Jorge first started out, my perception anyway was that nobody gave him very much support or respect. And for that matter, bachata itself was sorta the 'scruffy little salsa step-child' of the dance business. The 'why's' of the matter are a separate topic.
But the point is......Jorge had strong convictions. He didn't mind the lack of support. He didn't mind that bachata wasn't regarded as 'prime time'. He kept dancing.
Primarily because he 'kept on keeping on' Jorge slowly but surely built up the tsunami that bachata has become. Whereas before having a bachata class wasn't a class that had very high expectations, nowadays dancers expect a lot more content and a lot more 'wow' when they attend a bachata class. And nowadays people are eagerly trying to capitalize on the 'bachata rush' that was, in my humble opinion, pioneered by Jorge Elizando.
I'm not saying that there weren't people who were doing a good job in other parts of the country or the world. There's 3 that I can think of right now. All I'm saying is that Jorge was the first to push the tradional concept of bachata out of it's old skin into the new, much more exotic and flexible dance it's become now.
Jorge has been proactive and busy and focused enough to basically not have time to be bothered especially by who is or is not supporting his 'bachata fusion' concept. But I suspect that in the cosmic scheme of things he's not hurt anybody's existing dance business but has rather made it even more lucrative.
If anything, I think Jorge's efforts somewhat paved the way for the current interest in 'bachata Dominicana'.
It's forces of change such as Avatar and 'Bachata Fusion' that although they sometimes don't initially win the 'Academy Awards', are suquently recognized as the major turning points in their industry.
I read somewhere that the Avatar guy (i.e. the director...what's his name?) is planning a sequel. What do you suppose Jorge is up too?
Two questions come to my mind now:
(1) Is Kizomba such a 'new' element, a game changer, in the dance game? I think so.
(2) Will successful dance entrepreneurs of the future make better us of "PR campaigns" (public relations)? I think so.
P.S. I'll post that video I referenced....if I can find it again.
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